Wednesday, 24 November 2021
Saturday, 13 November 2021
PLANNING: CALL SHEET
Call
Sheet 1 for 'Chain Reaction' - Tunnel scene
Length: 2 minutes
Shoot date: 18th November 2021
Location: Tunnel at Claremont Fan Court
School
Times (everyone): 2:45pm - 4:00pm
CAST |
Ciaran.S |
********@gmail.com |
079*****774 |
CREW/CAST |
Finlay.W |
********@gmail.com |
078*****653 |
CREW |
Ruby.L |
********@gmail.com |
072*****748 |
Camera Equipment:
- Cannon EOS camera
- Camera battery
- Memory card
- Lens protector cover
Props:
- No props needed
Wardrobe: Cieran
Suit, shirt, black shoes
Wardrobe: Finlay
Suit, shirt, brown shoes
Call
Sheet 2 for 'Chain Reaction' - Discussion between scientist
and friend
Length: 2 minutes
Shoot date: 23rd November 2021
Locations: Claremont Fan Court School's drawing room
Times (everyone): 3:00pm - 4:00pm
CAST |
Ben.HF |
********@gmail.com |
075*****971 |
CREW/CAST |
Finlay.W |
********@gmail.com |
078*****653 |
CREW |
Ruby.L |
********@gmail.com |
072*****748 |
Camera Equipment:
- Cannon EOS camera
- Camera battery
- Memory card
- Lens protector cover
Props:
- Calculations paper
Wardrobe: Ben
Suit, shirt, black shoes, tailored coat
Wardrobe: Finlay
Suit, shirt, brown shoes
Friday, 12 November 2021
PLANNING: SOCIAL GROUPS AND ISSUES
I used a social media site called Pinterest to help create identify our film opening's social groups, themes, issues and locations. I then was able to have a clear visual interpretation of these different categories which helped when it came to the construction of our film opening.
Themes: The series of pictures that I collected from Pinterest for the 'themes' mood board are meant to represent how the world has been plunged into darkness due to the lack of energy. There was a need to imply a slight apocalyptic feel.
Social Groups: There are two contrasting social groups in our film opening: a young, struggling scientist and a well-off, wealthy individual. Therefore, I tried to fill the mood board with these contrasting social groups.
Issues: the main issues our film opening highlights is the effect of global warming and the rush for scientists to discover knew ways to provide clean energy.
Location: helping to represent the contrasting social groups, there are two main locations in our film opening. A well furnished, wealthy appearing room/hallway in which the rich individual takes residence. Whilst the scientist can be seen in a dark office space, the lack of light or expensive furnishing illustrates his lack of wealth compared to the other character.
Thursday, 11 November 2021
PLANNING: LOCATION
Wednesday, 10 November 2021
PLANNING: RISK ASSESMENT
I created a risk assessment as seen below:
|
HAZARD TO HEALTH
AND SAFETY |
RISK POSED AND TO
WHOM |
LEVEL OF RISK
(H/M/L) |
MEASURES TO REDUCE
RISK |
RISK LEVEL
ACHIEVED (H/M/L) |
FURTHER ACTIONS |
Weather |
Rain – possible making
floor slippery and causing wet clothing. |
Everyone. |
L |
Bring weatherproof
clothing to quickly put on in case of weather change. The rain could make
the stone pathways slippery, if so, make sure actors are careful and notified
of this possibility. |
L |
|
Candles – contact with fire |
Actor could
burn themselves while handling candles. |
Actor in scene
handling candles. |
M |
Make sure paper
is not directly underneath match. Make sure
actors are aware of dangers. When finished
filming turn the lights on and asses, as it might be easy to place a hot
match on a piece of paper without realising |
L |
Extinguisher or
water can be placed near the premises in case of emergency, only if dangers increase.
|
First aid issues |
Trips/falls – hit head
against stone walls. |
Everyone in
environment could trip/fall. Actors in struggle
scene could hit head against stone wall |
M |
|
L |
|
PLANNING: SHOT LIST
Scene | Vision | Sound | Actor/Actors | Props | Notes |
Entry of the first character walking through a tunnel before being ambushed. | 1) EXT – EVENING: various CLOSE-UP shots with SHALLOW DEPTH OF FIELD. A man walks past the frame for each. Some are at a DUTCH ANGLE. Last shot of the scene is a WIDE ANGLE, with a SHALLOW DEPTH OF FIELD, see the man walk off into the tunnel, then get ambushed, there is a struggle then the sound of a gunshot. | à GUNSHOT | ADULT (SCIENTIST) | N/A | 3 or 4 walking shots before the finale. OPENING CREDITS can be DISPLAYED at this moment, maybe SLANTED or in different POSITIONS. Actors FACE should NOT be shown to camera, must be hidden so all shots are from waist down. They should not be too out of focus. |
Scientist working out the equations. | 2) INT – NIGHT: CLOSE UP of candle being lit. CUT to various shots of newspapers, lit by candlelight. CUT to a WIDE ANGLE, behind the scientist sitting at a DESK. Jumps up in joy and leaves the frame. | à N/A | ADULT (SCIENTIST) | è PAPER è PEN è CANDLES è NEWSPAPERS è DESK è CHAIR è MAYBE BIN è OTHER WORKINGS | Due to low light filming, may need to use FAKE CANDELS, due to their increased lighting. The actor will TURN around to the CAMERA after doing some WORK. |
Discussion between the scientist and a friend. | 3) INT – DAY: WIDE ANGLE, in a POSH SETTING, two characters (scientist and wealthy friend) talking to each other. SHALLOW DEPTH OF FIELD means they are out of focus. Wealthy friend usher scientist out, towards camera. Wealthy friend stops, leans down to pick up a piece of paper. PAN UPWARDS – TRACKING. CUT to EXTREME CLOSE UP of wealthy friend’s pocket, placing paper into. | à DISCUSSION BETWEEN TWO CHARACTERS | TWO ADULTS (SCIENTIST & WEALTHY FRIEND) | è SHEET OF EQUATIONS | WHITE NOISE may need to be REDUCED in editing due to LOCATION. Make sure ACTORS faces are NOT SEEN. They should only be in frame when the camera is out of FOCUS. |
Overhead of the equations with a red light spilling from the side. | 4) INT – NIGHT: background is black, equation in centre of frame. BIRD’S EYE view and a slow zoom towards the paper. RED LIGHT coming from left of frame. CUT between SCENE 4 and END of SCENE 3. | N/A | N/A | è THE SHEET OF EQUATIONS è RED LIGHT (not seen) è BLACK CLOTH BACKGROUND è MAYBE FAKE MONEY | RED LIGHT will only come from ONE SIDE, but if it’s not light enough then two lights from opposite sides can be used. |
Monday, 8 November 2021
PLANNING: COMP LIST
Kezia Williams, of Entertainment One UK, on the FutureLearn Film Distribution by the Film Distributors Association, spoke about how film distributors build a 'comp list' of comparable films that their target audience would enjoy.
I learnt from this and put together my own comp list, consisting of three films that I would regard to follow similar themes and that my target audience might also enjoy:
Friday, 5 November 2021
Tuesday, 2 November 2021
PLANNING: MY TARGET AUDIENCE & HOW I ENGAGED THEM
Over half term I started to follow a film course created by Future Learn, which was called Distribution: Connecting Films With Audiences. This course taught me that all products are targeted at specific audiences.
In order to reach out to my target audience, I needed to know and realise who they are, what their media needs are and how I would reach out to them. This would help influence my planning.
I saw how Bauer Media, NME and Sky helped to define audiences. This helped me come up with my target audience. I then came up with my audience profile below:
PLANNING: MY AUDIENCE QUESTIONNAIRE
I am using Google forms to create a questionnaire for my target audience and send it to people who are likely to watch our film. I will ask questions referring to age, gender, what types of films they prefer to watch, what influences them to watch a film and where they prefer to watch it. Our production team want to make a film that would appeal to young people aged 15-35. Our questionnaire will be useful to ensure that our type of genre will appeal to this audience. Through the use of Google Forms I will be able to collect this data.
Here are the questions and results for the questionnaire I created on Google forms:
FILM OPENING: CHAIN REACTION
Finlay Williamson 1986 My group consisted of Ruby 1996 and I. We were set to follow a brief which consisted of making the titles and open...
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As an independent filmmaker I conducted research into how eOne handled the marketing and distribution for Loach's Sixteen Films. Illus...